Red Carpet Icons: New Works by Jennie Traill Schaeffer (ok, me) are on exhibit now through early March at the Valley's own Hat City Kitchen. I spent the better part of the end of the year producing several new pieces around the theme of the red carpet. Many of the works feature appliances, including several Crock Pots, a toaster, and espresso machine, along with a few baked goods and "thrones" of the home. The Crock Pot, in particular, was a pivotally important cook's tool. Through my research I learned it was the vogue appliance of the 1970s and I made the connection to the red carpet. Many of my appliances in past works (one included here, St. Mixer), were sainted with halos and personified in a way. This seemed to be a natural transition for me. All of the works in the exhibit are in oil (with the exception of one relief print), employing vivid colors and thick textural paint.
We had a soft opening reception in December during Valley Arts' monthly Artists Salon. Thank you to several of my friends and artists who showed up to support me. Thank you especially to Jeremy Moss, local artist and Valley Arts volunteer who helped me hang the show and invite me to exhibit. And, thank you to Patricia Rogers from Masconsumption.com who has Tweeted, Instagrammed, and paid me incredible compliments on my work. Luckily the work is up for two more months over the course of two more Artist Salons, tonight, January 11th and next month on February 8th. Please come down between 6 - 8pm to see the work, enjoy a drink or appetizer, and chat. I'll have 2016 Calendars and Assorted Prints / Small Works set up during the salons for sale also.
Summer art lessons and workshops finished off a few weeks ago with these fruits of my students' labors. I had the fullest teaching schedule I've experienced since closing my Newton studio, enrolling several new students in a part-time summer drawing camp, an after-camp art class, and a watercolor workshop. Since putting my youngest in part-time childcare, I've been able to promote my lessons to a wider audience and offer more sessions.
These are just the tip of the iceberg from the summer:
What's even better than this visual eye candy is the experience my students had. None of them wanted the classes to end; my watercolor workshop students couldn't come up with one criticism. I worked with several adults, particularly mothers, who carved out time for themselves for the first time this summer. To see their joy and satisfaction from their work was priceless. And, whether the students were children or adults, the process of making these works was a conduit to growth, learning, and joy (despite occasional frustration).
Interested in experiencing the joy of creating? Check out my Fall lesson schedule online. I'm offering several small group sessions in my West Orange Studio on the 3rd Floor including after school kids classes, an AM jumpstART for adults, and my signature Saturday teen class, as well as two classes (Painting in Watercolor and Taking Watercolor & Drawing Further) at Work & Play in South Orange.
Several years ago, a couple walked into my gallery in Newton, fell in love with one of my paintings (seen below) on site and purchased the work for their home in Morris County. I was out of town the weekend they stopped by and did not have the opportunity to meet them in person, until about a year later when they made another visit.
Please join me if you're in the Syracuse area on Thursday evening for the opening of Syracuse University's Department of Art's Painting Alumni Retrospective. I'm honored and humbled to be included in such a significant show striving to explore the changes in painting in America over half a century and Syracuse University's contribution to it, beginning with alumnus Clement Greenberg '30. The opening reception is this Thursday from 6 - 8pm at 914Works in Syracuse. I'll be there with my mom, the first artist in my life!
Over the course of three days, from August 15 - 17th, I instructed five very eager students in a workshop called Painting the Texture of Tea at Peters Valley Craft Center in Layton, NJ. Located in the Delaware Water Gap National Park, its isolated location nestled in the hills overlooking the Delaware River provides for a space to focus on work without distractions. All of the students ranged in experience from a complete beginner to some who have not painted in 25 years. What I saw throughout the weekend was a lot of risk-taking and courage to get oneself in front of the easel, and each day struggle through a new problem. All overcame their own challenges and ended the workshop with a renewed confidence.
All of the workshops held last week were tea-themed in honor of the opening reception of Peters Valley's current exhibit, Sweet Tea. Each morning, we started our practice at the easel with a tea meditation and tasting. We learned how to appropriately taste tea and a little bit about its history and cultivation. The first day we began with a demo and set to work on a monochromatic painting, forcing the students to see the values in the subjects in front of them. The second day we upped the ante by creating full color paintings of our tea subject matter. And the final day was spent considering how to create works involving the subject of tea beyond a typical still life. I was amazed with the ideas that the students came up with, considering the relative short amount of time.
A fringe benefit of the workshop was all of the technical information the students learned about brushes, paints, and painting without the use of solvents. All were surprised and amazed by the obvious differences when switching to higher quality materials. I was fortunate to receive some sample paints from M.Graham which I shared during the workshop. The students couldn't get over the lovely texture of the paints as well as the purity and brightness of the colors when compared to some other lesser quality oils they were using. Thank you M.Graham for sharing your paints with us! And, a special thank you to our studio assistant, Signe Ballew, who went above and beyond to make our studio run smoothly.
Take a peak at the works created by my students:
This student had not painted in 25 years! She was extraordinarily nervous in the beginning, but after many adjustments and changes, finally grew comfortable with her work. We focused greatly on the reflections and textures of the tea and cups, as well as the composition of her second piece. Her final work in progress depicts two cups from which she shared tea with her mom who passed away last year, hence the depiction of only one hand.
Allison, my sister, had not painted in about 15 years and I had no idea how receptive she would be to my criticism. It turned out to be awesome! Throughout many of her works, they completely evolved into different compositions and color schemes than when they began. Eventually she would find the painting, not without much frustration. She brought a dried out lemon to the workshop which at some point found its way into almost all of her paintings (even if it was then painted out). The last piece began with the lemon stamped with oil on the canvas paper and a suggestion of a tea leaf, but ended with evocations of lemons in the background and the suggestion of a hill or mountain form in the foreground of an entirely different color.
This student had never painted in her life until last weekend! Unfortunately she was unable to attend on Friday's session, so we got her started with a monochrome on Saturday. As we ended the workshop on Sunday, she had only just gotten started with her color piece. But, she started to get the idea of painting metal and also decided to mix actual tea leaves into her oil paints!
Emily is one of my students from my studio who enrolled in my workshop. While she's been working with me for about three years, these were only her 2nd and 3rd oil painting. She is developing work for entrance to art school next year so she aimed to complete a few strong works to add to her portfolio. I think she is in the process of achieving that goal, and though she didn't get to the third painting, we will revisit the topic later on back at TraillWorks.
This was another student who had not painted in over 15 years! She was very self-conscious of her work at the start of the workshop, but by the end was boasting about her achievements in the dining hall. Not only was it interesting to see her still life objects which were direct from England, but it was fascinating to see her shift into a comfort zone with the paint and subject matter. By the end she was having so much fun, as you can see in her final painting of a tea bag and tea cups.
I will leave you with a few comments from my students:
"I can't tell you how safe you have made me feel."
"I especially realize how much you gave me in this class when I hear myself tell my husband all about it. Thank you for all your preparation and making the tea theme come alive. Thanks also for all the paint, mixing, brush, palette knife knowledge. I will be hearing your advise about putting colors next to one another every time I pick up a paint brush. I've decided not to put the paint stuff away in a closet, but get a spot set up in the house somewhere.The class time just flew! A great experience!"
If this looks interesting to you, don't miss my upcoming workshop, Painting in the Burbs, set for September. There is still time to enroll!
Jennie Traill Schaeffer
Sometimes called the Kitchen God's Artist, I'm balancing mothering two energetic sons, a big mutt Ringo, and my art. TraillWorks: Studio on 3rd Floor, in West Orange, NJ, is where I teach individualized art lessons and create vivid works featuring sainted kitchen appliances, aprons, landscapes and Wedding Cake Portraits.
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