Paintings by teaching artist, Jennie Traill Schaeffer - 1, 2, 5 and 10 minutes on sulphite drawing paper.
Over the past month, loosening up has been the theme in my adult Watercolor and More class held at Oh Canary. My students have been exploring watercolor through the lens of gesture drawing, without the figure. Figure drawing sessions often begin with short, timed drawings that allow the artist an opportunity to detach and focus, really pushing perception and capturing a lot with very little. Using this approach, I brought in easels to create physical space between the artist, artwork, and asked that they stand and hold their brushes further down the handle, creating more energy and getting away from the urge to be too detailed.
The results have been tremendous - not only in the actual work, but in what it has taught my students. Seeing an object and painting it in only one minute forces you to include only the essential elements. Part of being an artist is deciding what to keep and what to ignore - it's a constant tightrope walk - whether a realist or abstractionist. This is super intense, and energizing at the same time.
My handbag was the subject for this student's first go at timed paintings.
A student painting one of her favorite things from the easel.
Yarn as subject matter.
This student discovered the benefit of adding another medium, water-soluble graphite, to add expressive lines, and emphasize direction, or texture in some cases. Both students at different points decided to return to full-on drawing to get a better sense of the objects' forms. After which they reverted back to watercolor only paintings.
When painting from the object using timed gestures, here are some tips that helped my students develop confidence and the ability to paint loosely:
Along the way we've explored the work of Sujean Rim, Samantha Hahn, and JMW Turner. I've also researched and learned from David Kessler's blog and Bev Jozwiak's article on the Artist's Network, in addition to my own experience running figure drawing sessions and partaking in them myself.
Want to do this on your own? Share it with me on Instagram, @traillworkslessons, and tell me your experience. I'll share it on my stories with my followers!
Enroll and work with me in person - Watercolor and More, held Tuesday mornings at Oh Canary Studio in Maplewood, NJ.
It's been over four years now since I've had the pleasure of showing my work with my mom's jewelry. When I operated TraillWorks as a gallery in Newton, NJ, I had a permanent collection of her work on exhibit and the pleasure of selling many pieces to a great number of clients. We both have had many changes since then, and when a childhood friend and former neighbor from Easton, PA, contacted me about having a show at her hometown library, I jumped at the opportunity to invite my mom to join me.
Mother Daughter will feature a collection of pieces by both of us, all completed in the past few years. My Red Carpet Icons, apron paintings, giclées, note cards, and a selection of small new watercolors, including prints of my blueberry painting, "June's Pearls," will be available. My mom will be including several pieces influenced by the colors and textures of trees. Her recent jewelry is created using sterling silver, precious metal clay, torched copper, along with beads and stone. References to leaves and branches, along with blue, green, and brown colors of nature, dominate the work. Of particular interest is the ginkgo leaf, due to it's symbol of survival, along with its intriguing fanlike shape.
A little bit about my mom: she was born in Allentown, PA and began making jewelry in high school with James P. Musselman. Her love of jewelry making developed then and grew during an intensive course she took in Mexico, after completing college at the University of Toledo where she earned a BA in art education. Her uncle (my great-uncle "Fred") was a painter and owned a hotel in Taxco, known for its silver mining and crafting of jewelry. Upon returning she took a job teaching art in Scotch Plains, NJ, and began making jewelry which she mainly sold to her colleagues. After marrying my father, they moved to PA to raise me, at which point she halted her jewelry making. It wasn't until I opened up my gallery in 2008 that she began taking classes and crafting jewelry again.
If you can't make it to the exhibit, but are interested in seeing the works, please email me and I'll share what I can. You can also follow me on instagram to see snippets of the show.
MOTHER DAUGHTER: Jewelry by Martha Traill Schaeffer and Paintings by Jennie Traill Schaeffer. Hosted by the Oceanic Free Library, located in Rumson, NJ. Exhibit runs for the Month of October.
Upon returning from a week-long family road trip to Ann Arbor, Michigan, I learned I was accepted to participate in this weekend's 1st Annual Plein Air Event to benefit Essex County Parks. I've been painting "en plein air" mostly in my sketchbook and while traveling, as well as teaching it this summer out in South Mountain Reservation. I'm thrilled to have an opportunity to get out there and paint for an extended period of time on a finished piece.
I'm planning to participate part of Friday, as well as Saturday, and will finish 1, maybe 2 paintings, time and weather-permitting. There will be an exhibit and awards ceremony on Sunday at Riker Hill Art Park's Gallery 509, from 6 -8pm. You can learn more about the event, along with what's currently going on in my studio in my recent newsletter.
Jennie Traill Schaeffer
Sometimes called the Kitchen God's Artist, I'm balancing mothering two energetic sons, a big mutt Ringo, making and teaching art. TraillWorks is the apron under which I create and teach. My own art develops mostly in my West Orange home studio, but is sometimes spurred through my teaching, which takes place at Oh! Canary Studio, located in Maplewood, NJ.
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Studio on the 3rd Floor
West Orange, NJ
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Photos of Jennie by Kat Dela Cruz..