From left to right: Ginger Thermal, Mint Hemlock, Cold Season
WRITING AN ARTIST'S STATEMENT:
I began making TeaScapes in early 2018 after returning from a trip out west. While I've been offering the works in exhibits and in my online shop, and writing about them, I never officially wrote an artist's statement specific to them until last week. I submitted several of them to a juried show (which will remain secret until I hear the results) and needed a 1000 character statement. Every show has different requirements, and for this I began with a longer version, then whittled it down to what's included below.
Writing an artist statement usually pains me. Writing is never an act I come to with ease, and over the course of my education was always criticized for my inability to be succinct. Since becoming a professional artist I write more now than ever, and in the early years of my business, my husband who has a degree in English, helped me tremendously. Read on, and if you feel so moved, send me your feedback - I'd love to hear how readers and art lovers respond to my work, and to improve how I talk about it.
A GREAT RESOURCE:
Last week I stumbled upon a user friendly blog post by Sarah Hotchkiss on writing an artist's statement. The Creative Independent broke things down into an understandable format that helped me craft my latest statement. I didn't use all of her techniques, and I was writing at the last minute - against her recommendation - EEK! So, read on, and if you feel so moved, send me your feedback - I'd love to hear how readers and art lovers respond to my work, and advice on improving how I talk about it.
"After a family trip to Wyoming and Utah, I wanted to imbue my art with the peace and spaciousness that I experienced there – to make those places and feelings permanent in my art, and life. I started meditating and playing with image transfers of tea packaging, and made a connection between the tea and the places I had travelled. The surfaces could be layered with watercolors and gouache over the transferred packaging, connecting the teas’ ingredients, their colors and intended purpose to the landscape. I could both hold those places for myself and help viewers explore the landscape more deeply – creating a meditative artwork.
The paintings have become stylized interpretations of the landscape – while maintaining a clear reference to the location. I’m interested in using highly pigmented paint, often employing strong linear elements to help describe the energy in a place. The reversed labels from the packaging create a subtext of pattern, inviting the viewer to see more."
WANT TO LEARN MORE?
If you'd like to read the full version, subscribe to my newsletter for a free download. The entire current collection of available TeaScapes are available at traillworks.com.
If you're in the NJ area the weekend of November 2 - 3rd, I'll be exhibiting my work during the SOMA Artist's Studio Tour in Maplewood, NJ.
Empty hooks where sold work hung on the wall going up the stairs to my studio.
I'm loving all of those empty hooks and it's because of so many of you that I achieved my goal. During the month of February, I held a studio sale to accomplish three things: clear out old work that was no longer serving me, create space for new work both physically and in my mind, and to raise money for a local charity. BAM! BAM! BAM! We did it!
I have space, I've been creating new work, and I'm able to breathe in my studio again. At times it felt like my art and the walls were going to cave in on me. And, the bonus was that I was able to contribute a $190 donation last week to the Mental Health Association of Essex and Morris from profits of my sale. They are an incredible organization that offers many services to mental health consumers and loved ones, maintaining a deeply held belief that recovery is possible. I personally have availed myself of some of their services and can't thank them enough.
My easel / oil painting area - bathed in midday northern light.
Shelf displaying TeaScapes as they are produced.
I still have some older work on my site still available. Over the upcoming months as I produce new works, I will be tweaking my store, reorganizing artwork, and adding new works that haven't been uploaded. A newsletter is going out soon detailing events coming up in May, new TeaScapes available online, and a Dachshund painting being made available to those lovers of the furry persuasion. Want first dibs? Get on my email list for those exclusive opportunities.
I’m in the midst of shifting gears in so many ways - personally, artistically, and the word that keeps coming up for me is SPACE! I’m grateful for the spaces I have, both physical and mentally, but am working on creating more. In my body, my mind, and reconfiguring my physical spaces.
This includes my studio. I love it - it’s my own private room with a lockable door, on the 3rd floor of my home, with decent light. Quite a good commute! But, in working in it for over 5 years, it’s feeling stale, cluttered, not painted in a way that’s me and filled with old, but GOOD work. I have storage, but not a ton for the amount of work I have. So most is hung on the walls and I need to start with a blank slate. I'd like to repaint the beige to a bright white, and paint my display wall a dark blue grey. I'd also like to better organize the work that remains, my supplies, and build a new desk area. I'm working towards better flow which will eventually result in new works.
What does this mean for you? I'm having a STUDIO SALE! My online shop has been temporarily taken down. So, I'm sure you're asking, how do you participate? SUBSCRIBE TO MY LIST! Subscribers will be notified this Friday with a password to enter the sale and will have through Sunday to shop exclusively. After Sunday, the shop will be offered to all and only remain up for a week.
Works, including oils, watercolors, drawings, and prints (excludes my TeaScapes and newer pieces) will be available up to 50% off retail price AND I will be donating 10% of profits to the Mental Health Association of Morris and Essex Counties in NJ. I'll be posting more on Instagram and Facebook about works included in the sale, as well as about the MHA. I hope you'll join in the rare opportunity to add something of mine to your collection. Know that in doing so, I'll be opening up spaces for new work and supporting a very valuable organization.
Yellowstone Calm, 13" x 8 1/3", Watercolor on Arches 140lb. HP, ©2018 Jennie Traill Schaeffer, AVAILABLE
A teaching artist is always giving to her students. Over the years I've taught, I've had students coming from many backgrounds, facing various adversities and illnesses. Since moving to eastern NJ, I've reduced my audience of students due to my own personal family's needs. However, I'm fortunate to live near an amazing organization, Arts Unbound, that aims to provide an art education to adults who are either seniors or living with disabilities. The goal is to help them develop a career working as an artist.
Each year, they host an ArtBender, a weekend long celebration of making to raise money for their art coaching program. Many opportunities to create are offered throughout the local area, as well as individual artists supporting the cause. This weekend I'm hosting a 20/20 Sale. What does that mean for you and for Arts Unbound? All work will be discounted 20% for the weekend, and I will donate 20% of all sales to Arts Unbound. My personal goal is to raise $200 for the organization, which means I must sell $1000 worth of art.
Can I do it? You betcha, but I need your help. Please share link to my online shop far and wide to art lovers. It's a great time since it's the weekend prior to Mother's Day - might be an opportunity to give Mom a very artful gift.
Couple of important details:
Let's make this weekend's ArtBender a success to enrich the lives of so many! PS - I'm continually updating my site, so check back often for new works. Use COUPON CODE: ARTFORALL at checkout.
Now that Auggie, I mean my painting, "Jar of Optimism (Auggie)" has been delivered for tomorrow's opening of Paint the Town Yellow in Madison, NJ, at the Peg Williams Gallery hosted by INT-O Yellow, I had a break from my routine. Instead of studio work, I spent an afternoon working on an online course with artist, Amira Rahim, who is an Instagram expert. We chatted about ways to vary our feed. As I was looking around my studio, I glanced at my art wall and saw something amazing: the connection between the works I painted with INT-O Yellow, my older Appliance Portraits, and a self portrait done while studying with painter, Jerome Witkin at Syracuse University.
Unless you know me personally or have been following me for a long time, you probably weren't aware that I have a history of figurative works. I've always enjoyed painting the human form; both in sum and the portrait. I believe Jerome helped instill that love, as well as my high school art teacher, Nancy Bossert. But, I've always felt unsure of a direction, figuratively speaking, as I desired something beyond glorifying the body. I'm interested in concept. That's what landed me back to the portrait I painted for INT-O Yellow of my son, Auggie. I became aware of a device to synthesize with a figure to communicate something bigger, more important than just the human body.
This is partly a result of having worked with INT-O Yellow; it helped me bridge this gap. Working with a color and structure outside my comfort level (50% of all the works created for the show Paint the Town Yellow had to include INT-O Yellow), coupled with my interest in painting reflections and surfaces (the use of a Ball canning jar is related to my Appliance Portraits), made something new happen.
This was an a-ha moment for me. As a teaching artist, I'm always striving to find connections for my students. They don't always see them. I don't always see them. Sometimes it comes from outside yourself, or at a time when you have a break and come back to something after deep focus. That was this instance; I was so involved with the painting, that I had lost sight of where it grew from. Over the past year I've wanted to move forward with new subject matter, but wasn't sure where to go. Jumping out of my comfort zone and INT-O Yellow, yet again was the driving force of a burst of creativity. What gets you out of your comfort zone and into creativity?
I hope you'll join me tomorrow in Madison, NJ, at the Peg Williams Gallery to see Auggie in person (the painting, I mean) and the opening of Paint the Town Yellow.
Jennie Traill Schaeffer
"You teach best what you most need to learn." - Richard Bach
Jennie Traill Schaeffer
Sometimes called the Kitchen God's Artist, I'm balancing mothering two energetic sons, a big mutt Ringo, making and teaching art. TraillWorks is the apron under which I create and teach. My own art develops mostly in my West Orange home studio, but is sometimes spurred through my teaching.
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Studio on the 3rd Floor
West Orange, NJ
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