Over the course of three days, from August 15 - 17th, I instructed five very eager students in a workshop called Painting the Texture of Tea at Peters Valley Craft Center in Layton, NJ. Located in the Delaware Water Gap National Park, its isolated location nestled in the hills overlooking the Delaware River provides for a space to focus on work without distractions. All of the students ranged in experience from a complete beginner to some who have not painted in 25 years. What I saw throughout the weekend was a lot of risk-taking and courage to get oneself in front of the easel, and each day struggle through a new problem. All overcame their own challenges and ended the workshop with a renewed confidence.
All of the workshops held last week were tea-themed in honor of the opening reception of Peters Valley's current exhibit, Sweet Tea. Each morning, we started our practice at the easel with a tea meditation and tasting. We learned how to appropriately taste tea and a little bit about its history and cultivation. The first day we began with a demo and set to work on a monochromatic painting, forcing the students to see the values in the subjects in front of them. The second day we upped the ante by creating full color paintings of our tea subject matter. And the final day was spent considering how to create works involving the subject of tea beyond a typical still life. I was amazed with the ideas that the students came up with, considering the relative short amount of time.
A fringe benefit of the workshop was all of the technical information the students learned about brushes, paints, and painting without the use of solvents. All were surprised and amazed by the obvious differences when switching to higher quality materials. I was fortunate to receive some sample paints from M.Graham which I shared during the workshop. The students couldn't get over the lovely texture of the paints as well as the purity and brightness of the colors when compared to some other lesser quality oils they were using. Thank you M.Graham for sharing your paints with us! And, a special thank you to our studio assistant, Signe Ballew, who went above and beyond to make our studio run smoothly.
Take a peak at the works created by my students:
This student had not painted in 25 years! She was extraordinarily nervous in the beginning, but after many adjustments and changes, finally grew comfortable with her work. We focused greatly on the reflections and textures of the tea and cups, as well as the composition of her second piece. Her final work in progress depicts two cups from which she shared tea with her mom who passed away last year, hence the depiction of only one hand.
Allison, my sister, had not painted in about 15 years and I had no idea how receptive she would be to my criticism. It turned out to be awesome! Throughout many of her works, they completely evolved into different compositions and color schemes than when they began. Eventually she would find the painting, not without much frustration. She brought a dried out lemon to the workshop which at some point found its way into almost all of her paintings (even if it was then painted out). The last piece began with the lemon stamped with oil on the canvas paper and a suggestion of a tea leaf, but ended with evocations of lemons in the background and the suggestion of a hill or mountain form in the foreground of an entirely different color.
This student had never painted in her life until last weekend! Unfortunately she was unable to attend on Friday's session, so we got her started with a monochrome on Saturday. As we ended the workshop on Sunday, she had only just gotten started with her color piece. But, she started to get the idea of painting metal and also decided to mix actual tea leaves into her oil paints!
Emily is one of my students from my studio who enrolled in my workshop. While she's been working with me for about three years, these were only her 2nd and 3rd oil painting. She is developing work for entrance to art school next year so she aimed to complete a few strong works to add to her portfolio. I think she is in the process of achieving that goal, and though she didn't get to the third painting, we will revisit the topic later on back at TraillWorks.
This was another student who had not painted in over 15 years! She was very self-conscious of her work at the start of the workshop, but by the end was boasting about her achievements in the dining hall. Not only was it interesting to see her still life objects which were direct from England, but it was fascinating to see her shift into a comfort zone with the paint and subject matter. By the end she was having so much fun, as you can see in her final painting of a tea bag and tea cups.
I will leave you with a few comments from my students:
"I can't tell you how safe you have made me feel."
"I especially realize how much you gave me in this class when I hear myself tell my husband all about it. Thank you for all your preparation and making the tea theme come alive. Thanks also for all the paint, mixing, brush, palette knife knowledge. I will be hearing your advise about putting colors next to one another every time I pick up a paint brush. I've decided not to put the paint stuff away in a closet, but get a spot set up in the house somewhere.The class time just flew! A great experience!"
If this looks interesting to you, don't miss my upcoming workshop, Painting in the Burbs, set for September. There is still time to enroll!
After several months of not painting in my studio, my oldest is now in camp full time and I'm taking advantage of my younger son's naps to work on my marketing and paint in my studio. Whew - have I ever needed this! Just the other day I discovered a study published in the Huffington Post about the value of making art. The article, "Study Says Making Art Is Good For Your Brain, And We Say You Should Listen", it looked at two groups of people, one group that focused on art appreciation and another group that focused on art creation. The team of German neurologists found the pursuit of making art "improves effective interaction 'between certain regions of the brain.'” I can tell you without the research that I certainly feel more focused, calm and balanced after a painting session. But, I welcome any research that validates and even show more value in the arts.
With this research in hand, and after listening to Auggie fuss and cry for about an hour before finally succumbing to his nap, I decided to paint rather than work on my computer. I had begun the above painting at the end of last year and haven't touched it until today.
It's always challenging to reenergize something that is dried up and sitting in a corner. But, after about 45 minutes of painting and applying more and more wet paint, making form, structure, and color adjustments, I'm feeling the piece come back to life. Yesterday I shared this with my sitter's daughter, an almost six-year old with an avid art interest. She suggested that I put ice cream in the scoop, but while I did not want to pursue that avenue, she did spark my brain. Something might be added in the near future. So, stay tuned and see what changes! You can check my progress on my Works in Progress page on my web site.
Back in early May, I set up a tent on a very windy day at Peters Valley's Annual Open House and Studio Tour. Despite the challenging weather, I began a drawing of a still life set-up featuring a tea kettle, mugs, and a tea bag in honor with my upcoming workshop, Painting the Texture of Tea. I invited anyone who visited my tent to add their mark on the painting. I wanted people to simply learn what it feels like to observe a color on a still life, mix it color and apply it to a canvas, simplifying the painting process to its most basic steps.
When asked to paint, most adults shied away expressing either inexperience or inability, to which I encouraged them to leap in and get a feel for the texture of the paint. I wanted people to simply learn what it feels like to mix one color and apply it to a canvas. Most people finally agreed (most kids readily participated) and ended up feeling terrific after doing so. That very basic act of putting paint on with a brush is very satisfying. Several people had never even picked up a paint brush, let alone painted with oils. It was very moving to allow people the opportunity to do that.
Now that my web site is mostly complete, I have time to get back in the studio and yesterday I made my first marks on the painting. My plan is to complete it, using the preliminary visitors' marks as the starting point. I will share my progress on Twitter, Facebook and Instagram with #PVTeaPainting. Once completed I will donate it to Peters Valley's Annual Auction, set for Thursday, August 14th at the Walpack Inn. Click here for more information and tickets to the auction. And, if you're interested in taking a weekend workshop, learn more about Painting the Texture of Tea, which I will instruct August 15 - 17th at Peters Valley.
Jennie Traill Schaeffer
Sometimes called the Kitchen God's Artist, I'm balancing mothering two energetic sons, a big mutt Ringo, making and teaching art. TraillWorks is the apron under which I create and teach. My own art develops mostly in my West Orange home studio, but is sometimes spurred through my teaching.
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