Empty hooks where sold work hung on the wall going up the stairs to my studio.
I'm loving all of those empty hooks and it's because of so many of you that I achieved my goal. During the month of February, I held a studio sale to accomplish three things: clear out old work that was no longer serving me, create space for new work both physically and in my mind, and to raise money for a local charity. BAM! BAM! BAM! We did it!
I have space, I've been creating new work, and I'm able to breathe in my studio again. At times it felt like my art and the walls were going to cave in on me. And, the bonus was that I was able to contribute a $190 donation last week to the Mental Health Association of Essex and Morris from profits of my sale. They are an incredible organization that offers many services to mental health consumers and loved ones, maintaining a deeply held belief that recovery is possible. I personally have availed myself of some of their services and can't thank them enough.
My easel / oil painting area - bathed in midday northern light.
Shelf displaying TeaScapes as they are produced.
I still have some older work on my site still available. Over the upcoming months as I produce new works, I will be tweaking my store, reorganizing artwork, and adding new works that haven't been uploaded. A newsletter is going out soon detailing events coming up in May, new TeaScapes available online, and a Dachshund painting being made available to those lovers of the furry persuasion. Want first dibs? Get on my email list for those exclusive opportunities.
Paintings by teaching artist, Jennie Traill Schaeffer - 1, 2, 5 and 10 minutes on sulphite drawing paper.
Over the past month, loosening up has been the theme in my adult Watercolor and More class held at Oh Canary. My students have been exploring watercolor through the lens of gesture drawing, without the figure. Figure drawing sessions often begin with short, timed drawings that allow the artist an opportunity to detach and focus, really pushing perception and capturing a lot with very little. Using this approach, I brought in easels to create physical space between the artist, artwork, and asked that they stand and hold their brushes further down the handle, creating more energy and getting away from the urge to be too detailed.
The results have been tremendous - not only in the actual work, but in what it has taught my students. Seeing an object and painting it in only one minute forces you to include only the essential elements. Part of being an artist is deciding what to keep and what to ignore - it's a constant tightrope walk - whether a realist or abstractionist. This is super intense, and energizing at the same time.
My handbag was the subject for this student's first go at timed paintings.
A student painting one of her favorite things from the easel.
Yarn as subject matter.
This student discovered the benefit of adding another medium, water-soluble graphite, to add expressive lines, and emphasize direction, or texture in some cases. Both students at different points decided to return to full-on drawing to get a better sense of the objects' forms. After which they reverted back to watercolor only paintings.
When painting from the object using timed gestures, here are some tips that helped my students develop confidence and the ability to paint loosely:
Along the way we've explored the work of Sujean Rim, Samantha Hahn, and JMW Turner. I've also researched and learned from David Kessler's blog and Bev Jozwiak's article on the Artist's Network, in addition to my own experience running figure drawing sessions and partaking in them myself.
Want to do this on your own? Share it with me on Instagram, @traillworkslessons, and tell me your experience. I'll share it on my stories with my followers!
Enroll and work with me in person - Watercolor and More, held Tuesday mornings at Oh Canary Studio in Maplewood, NJ.
Jennie Traill Schaeffer
Sometimes called the Kitchen God's Artist, I'm balancing mothering two energetic sons, a big mutt Ringo, making and teaching art. TraillWorks is the apron under which I create and teach. My own art develops mostly in my West Orange home studio, but is sometimes spurred through my teaching.
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Studio on the 3rd Floor
West Orange, NJ
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