In April, I visited Greenville, SC, with artist Katrina Berg. She was in town visiting her daughter for a dance competition and invited me to join them for the weekend. It was a much-needed break from home and important time spent around art, seeing new places. I've been thinking about how important it is for us to experience wonder and joy, so going out of our comfort zone is one way we can do that.
Knowing I would be in Greenville, SC, I decided to reach out to Lucy Boland, an artist whom I met last year at the Artist Mother Retreat in Black Mountain, NC. Lucy and I connected over an intense hike and many art making experiences during that weekend; her energy was infectious and memorable. She's based in Spartanburg - just next to Greenville - so I couldn't drive back to Durham without meeting her for lunch and visiting her studio.
I'm so happy I saw her work in this space, especially since she's currently hosting a studio moving sale as she's relocating her workspace. It's been a bit since the end of April, and not everything is fresh in my mind that we talked about. I'll leave you with the morsels I remember, and hope you'll seek out her work and find out where she lands, maybe even collect something from her!
CHECK out Lucy's work In PERSON July 13 - 15th in her Spartanburg, SC, studio, located at 146 E. Main Street, Spartanburg. She's hoping to sell everything in her inventory before her move.
Connect with Lucy:
Meet Lucy Boland Artist (https://shoutoutatlanta.com/meet-lucy-boland-artist/)
Scroll down to see pics from my visit and you'll get a sense of Lucy's work and her infectious energy.
Kind of on a whim, but more inspired by Sybil Archibald, a local artist, friend, and collector's own daily practice, I finally felt moved to make this commitment. I've struggled for years feeling "not good enough" and wondering, "why can't I make this commitment to create every day"?
I am good enough, and my life has been very full of many responsibilities. But, that being said, I've increased my exercise practice, my meditation practice, but not my creative practice. I realized that I've been trying to encourage my students to do the same thing - but how can I if I'm not practicing what I preach? So . . . I've started. Officially on January 2nd, I made a commitment to minimally make art 30 minutes a day. To show up, because it's in the frequency and the work, that develops good work.
REALITY: I made it consecutively to day 39. It's not perfect, and some days I've allowed myself the compassion of counting a sketchbook session in front of the TV towards my practice. Other days I'm sneaking up to the studio after the kids have gone to bed while catching an episode of The Durrells in Corfu - a PBS program that I stream on Amazon. It truly makes me smile, giggle, and lets me travel to a beautiful place, if only for an hour. Then a few weeks later, we lost the boiler in our house, and we temporarily landed at my in-laws for a week. I didn't create much that week.
INSIGHT: I just took the CliftonStrengths test, inspired by some personal growth work my sis is doing and found out some incredibly affirming and enlightening things about myself. Created by Gallup, the test assesses your top ten strengths, and lists out a total of 34. My top tens are spot on, but the last one shocked me - consistency. It is a strength, but it is my weakest. This was freeing to learn - and explained a lot of the blips every time I attempt to complete a social media challenge! And, with that I'm allowing myself the space to skip days when I need to - because if I can't be consistent those days, it's because my other strengths, like being responsible to my clients or family, will win out.
The above artworks are only about 1/2 of what I've created for the month of January. I have another series going on simultaneously, as well as working on some intermittent commissions. At this point in mid-March, I've completed 16 new pieces - I've surpassed my production last year, so I'm thrilled with this.
The upshot for you? I'm going to be dropping these works in small groups every Friday, beginning March 19th, to my VIPS who subscribe to my newsletter. They will have 24 hours to snatch up these new works. Then, if the works are still available, I'll release them on Instagram. Much of the works will be unframed watercolors on handmade papers featuring my new TeaScapes. Additionally, I'm participating in the #ArtistSupportPledge which asks that I agree to sell works that are $200 or less, and once I hit $1000 in sales, I spend $200 on collecting another artist's work.
SOUND GOOD? Please sign up below to become a VIP to make certain you have early access and first dibs at these new wonders coming out of my studio. Until Friday, you can follow my Instagram / Facebook feeds, and you can explore all of the progress in my #ArtEveryDay Story on IG.
From left to right: Ginger Thermal, Mint Hemlock, Cold Season
WRITING AN ARTIST'S STATEMENT:
I began making TeaScapes in early 2018 after returning from a trip out west. While I've been offering the works in exhibits and in my online shop, and writing about them, I never officially wrote an artist's statement specific to them until last week. I submitted several of them to a juried show (which will remain secret until I hear the results) and needed a 1000 character statement. Every show has different requirements, and for this I began with a longer version, then whittled it down to what's included below.
Writing an artist statement usually pains me. Writing is never an act I come to with ease, and over the course of my education was always criticized for my inability to be succinct. Since becoming a professional artist I write more now than ever, and in the early years of my business, my husband who has a degree in English, helped me tremendously. Read on, and if you feel so moved, send me your feedback - I'd love to hear how readers and art lovers respond to my work, and to improve how I talk about it.
A GREAT RESOURCE:
Last week I stumbled upon a user friendly blog post by Sarah Hotchkiss on writing an artist's statement. The Creative Independent broke things down into an understandable format that helped me craft my latest statement. I didn't use all of her techniques, and I was writing at the last minute - against her recommendation - EEK! So, read on, and if you feel so moved, send me your feedback - I'd love to hear how readers and art lovers respond to my work, and advice on improving how I talk about it.
"After a family trip to Wyoming and Utah, I wanted to imbue my art with the peace and spaciousness that I experienced there – to make those places and feelings permanent in my art, and life. I started meditating and playing with image transfers of tea packaging, and made a connection between the tea and the places I had travelled. The surfaces could be layered with watercolors and gouache over the transferred packaging, connecting the teas’ ingredients, their colors and intended purpose to the landscape. I could both hold those places for myself and help viewers explore the landscape more deeply – creating a meditative artwork.
The paintings have become stylized interpretations of the landscape – while maintaining a clear reference to the location. I’m interested in using highly pigmented paint, often employing strong linear elements to help describe the energy in a place. The reversed labels from the packaging create a subtext of pattern, inviting the viewer to see more."
WANT TO LEARN MORE?
If you'd like to read the full version, subscribe to my newsletter for a free download. The entire current collection of available TeaScapes are available at traillworks.com.
If you're in the NJ area the weekend of November 2 - 3rd, I'll be exhibiting my work during the SOMA Artist's Studio Tour in Maplewood, NJ.
TeaScapes grew out of an experiment and a need to do something with a collection of empty tea packages I had saved. One night during an adult watercolor class I was teaching, while the students were working, I played around with transferring a tea bag onto a stretched piece of Arches watercolor paper that I had stained with tea several years ago. It had been sitting in my studio untouched. It wasn't precious to me, which gave me the freedom to play with the tea bag.
It happened almost too easily - using a gel medium coated on the surface of the paper and the package, I laid it down with the print facing the page, dried it, and then rubbed off with paper with a damp sponge. What was left was intriguing texturally. At the same time, I had cut out some mid-century styled chairs from a furniture catalog, and thought to transfer that as well. In doing so, it dawned on me the connection between the tea packaging design and contents and the landscape out West. Each collaged paper is then paired with a watercolored landscape that suits the transfer - the papers tell me what they want to be. You can watch a video of my process here.
I got giddy over the juxtaposition - the way an artist does when she hits an "aha" moment. The meaningfulness behind the work how these pieces mirror my own personal growth through a traumatic period as a mother. The past two years took a toll on my spiritual, mental and physical self. The prior work I was doing with appliances no longer felt important, or relevant. With this, I was able to detach from my environment and go back to places where I felt whole, lightened and free. The works currently are focused on images that tie landscapes from Utah and Wyoming to the tea I'm drinking now (after my coffee - my first love).
The small size, 5" x 7", lends itself to having a sense of completion since my studio time has been historically choppy and short. Each one is painted on Strathmore 500 Series watercolor paper and then mounted onto archival cradled wood panels by Ampersand, coated with UV spray and varnish, and wired and ready for hanging. Since beginning these in February, I'm now verging on 16 #TeaScapes with hopes of creating more.
Six of them are already listed on my site, while any others not sold at this weekend's Maplewood Art & Music Walk, will be added next week. So, here's a peak at the pieces available online now, as well as new works getting ready for Sunday. If you purchase anything, they will be hung on Sunday and marked as sold, shipping next week. Stop by my booth on Sunday from 11 - 5pm - #42 on Highland Place, use 9 Highland Place, Maplewood, NJ on your navigation.
It's been over four years now since I've had the pleasure of showing my work with my mom's jewelry. When I operated TraillWorks as a gallery in Newton, NJ, I had a permanent collection of her work on exhibit and the pleasure of selling many pieces to a great number of clients. We both have had many changes since then, and when a childhood friend and former neighbor from Easton, PA, contacted me about having a show at her hometown library, I jumped at the opportunity to invite my mom to join me.
Mother Daughter will feature a collection of pieces by both of us, all completed in the past few years. My Red Carpet Icons, apron paintings, giclées, note cards, and a selection of small new watercolors, including prints of my blueberry painting, "June's Pearls," will be available. My mom will be including several pieces influenced by the colors and textures of trees. Her recent jewelry is created using sterling silver, precious metal clay, torched copper, along with beads and stone. References to leaves and branches, along with blue, green, and brown colors of nature, dominate the work. Of particular interest is the ginkgo leaf, due to it's symbol of survival, along with its intriguing fanlike shape.
A little bit about my mom: she was born in Allentown, PA and began making jewelry in high school with James P. Musselman. Her love of jewelry making developed then and grew during an intensive course she took in Mexico, after completing college at the University of Toledo where she earned a BA in art education. Her uncle (my great-uncle "Fred") was a painter and owned a hotel in Taxco, known for its silver mining and crafting of jewelry. Upon returning she took a job teaching art in Scotch Plains, NJ, and began making jewelry which she mainly sold to her colleagues. After marrying my father, they moved to PA to raise me, at which point she halted her jewelry making. It wasn't until I opened up my gallery in 2008 that she began taking classes and crafting jewelry again.
If you can't make it to the exhibit, but are interested in seeing the works, please email me and I'll share what I can. You can also follow me on instagram to see snippets of the show.
MOTHER DAUGHTER: Jewelry by Martha Traill Schaeffer and Paintings by Jennie Traill Schaeffer. Hosted by the Oceanic Free Library, located in Rumson, NJ. Exhibit runs for the Month of October.
Jennie Traill Schaeffer
Deemed the Kitchen God's Artist by NJ Savvy Living for my sainted appliances, I'm now known more for my vibrant, meditational paintings of chairs set surprisingly in landscapes. Since relocating to NC from NJ, mothering my two sons, and caring for our rescue pup, Cider, took the lead. Now, that my Durham home studio is renovated it's open again for virtual art coaching and the resumption of my personal art and commissions. The work I make is inspired by my joy of teaching, exploring nature, and traveling. On The Teaching Artist Blog, I share my approach to teaching and educate my readers about my creative process.
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Want to read more from the past? Click here to read archived blog posts from my previous blog on Blogger.