From left to right: Ginger Thermal, Mint Hemlock, Cold Season
WRITING AN ARTIST'S STATEMENT:
I began making TeaScapes in early 2018 after returning from a trip out west. While I've been offering the works in exhibits and in my online shop, and writing about them, I never officially wrote an artist's statement specific to them until last week. I submitted several of them to a juried show (which will remain secret until I hear the results) and needed a 1000 character statement. Every show has different requirements, and for this I began with a longer version, then whittled it down to what's included below.
Writing an artist statement usually pains me. Writing is never an act I come to with ease, and over the course of my education was always criticized for my inability to be succinct. Since becoming a professional artist I write more now than ever, and in the early years of my business, my husband who has a degree in English, helped me tremendously. Read on, and if you feel so moved, send me your feedback - I'd love to hear how readers and art lovers respond to my work, and to improve how I talk about it.
A GREAT RESOURCE:
Last week I stumbled upon a user friendly blog post by Sarah Hotchkiss on writing an artist's statement. The Creative Independent broke things down into an understandable format that helped me craft my latest statement. I didn't use all of her techniques, and I was writing at the last minute - against her recommendation - EEK! So, read on, and if you feel so moved, send me your feedback - I'd love to hear how readers and art lovers respond to my work, and advice on improving how I talk about it.
"After a family trip to Wyoming and Utah, I wanted to imbue my art with the peace and spaciousness that I experienced there – to make those places and feelings permanent in my art, and life. I started meditating and playing with image transfers of tea packaging, and made a connection between the tea and the places I had travelled. The surfaces could be layered with watercolors and gouache over the transferred packaging, connecting the teas’ ingredients, their colors and intended purpose to the landscape. I could both hold those places for myself and help viewers explore the landscape more deeply – creating a meditative artwork.
The paintings have become stylized interpretations of the landscape – while maintaining a clear reference to the location. I’m interested in using highly pigmented paint, often employing strong linear elements to help describe the energy in a place. The reversed labels from the packaging create a subtext of pattern, inviting the viewer to see more."
WANT TO LEARN MORE?
If you'd like to read the full version, subscribe to my newsletter for a free download. The entire current collection of available TeaScapes are available at traillworks.com.
If you're in the NJ area the weekend of November 2 - 3rd, I'll be exhibiting my work during the SOMA Artist's Studio Tour in Maplewood, NJ.
Jennie Traill Schaeffer
Sometimes called the Kitchen God's Artist, I'm balancing mothering two energetic sons, our new pup, Cider, while making and teaching art. TraillWorks is the apron under which I create and teach. My own art develops mostly in my West Orange home studio, but is often spurred through my teaching, and travels.
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