I have the pleasure of teaching an enthusiastic and talented group of students art each year, including kids, age 7 - 12, teens, and adults. I teach classes out of my West Orange, NJ, home studio, as well as at Work & Play, a co-working space in neighboring South Orange, and last year I also taught a workshop at Peters Valley School of Craft in Layton, NJ. In Einstein's words, "It is the supreme art of the teacher to awaken joy in creative expression and knowledge." I hope I've achieved this, even in the smallest of ways. Here's a smattering of the work accomplished by many of these students throughout the year, along with some takeaways. AGES 7 - 12: From various renditions of Harry, the studio rubber duck, completed in a variety of media, to self portraits on mylar, to Google Doodles inspired by ancient Egypt, design work influenced by the Sagrada Familia, skulls, invented dragons from dinosaur figurines, and landscapes, this is just the tip of the iceberg. TAKEAWAYS: Students understood how to perceive and represent a self-portrait, discovered how to incorporate text and images together to communicate an idea, learned how to use an X-Acto knife to cut foamcore, understood that some artwork is planned first while others are not, they always learn that making mistakes are ok, contrast is necessary to differentiate forms, and the use of negative space is integral to successful work. PARENT / CHILD: I periodically taught a mother/daughter semiprivate with two of my students, and they went so far as to create two separate watercolor paintings that actually merge subject matter, from their own points of view. Can you see what is similar and connected? This was a great exercise for a parent and child to cooperate and grow together, artistically and relationally. ADULTS: I teach adults primarily watercolor in a beautiful room in Work & Play (a co-working space) located in South Orange, NJ, as well as a program called JumpstART, out of my home studio, in West Orange. Over the course of 2016 I worked with several beginners as well as veteran students on the above work. Students explored botanical representations outside during the summer months, as well as inside during the cooler months. Etegami-style postcards were created as a way of lessening expectations and loosening approaches. Explorations in media have included collage, adding salt, alcohol, adding ink, working on different papers, including hot press and cold press and learning how to embrace the spontaneity of painting on YUPO. Students have learned how to perceive color by painting white and black objects. Newbies always start off with the basics of painting a singular object in monochrome, then building to complementary colors and eventually onto a full palette. TAKEAWAYS: I'm frequently talking about mindfulness and finding space for creativity during class. I've referenced "Wired for Creativity" throughout the year, which has led us to start incorporating meditation in some classes. Students have learned the importance of walking away from their work, or setting it aside for a week to get a fresh perspective. Many have trusted the sometimes fearful process of trying new approaches or working with subject matter out of their comfort zone to open up new possibilities and to attain growth. PETERS VALLEY WORKSHOP: Over a weekend in August, I taught a watercolor workshop at the beautiful Peters Valley School of Craft in Layton, NJ. Some of the students were utter beginners while others were more seasoned, having studied with other watercolor artists. It was a really enjoyable group and spending the weekend teaching in the Delaware Water Gap National Park is always a treat. I won't be teaching this summer, but planning for 2018. TAKEAWAYS: Students felt they stretched themselves and pushed themselves outside of their comfort zone. Some felt working outdoors was the best part of the weekend, as well as thinking large, rather than the details. A beginner was impressed that he could "paint anything at all" and that he "actually likes some of what [he] did." They were amazed with the amount of varied expereices we accomplished in two days. The monochromatic painting exercise is the most valuable lesson many learned. Want to Study with Me?Lessons are enrolling throughout the year for kids, teens and adults, both in my West Orange studio, as well as at Work and Play in South Orange, NJ. I encourage you to explore the class options and reach out if you have any questions. If you're not sure, here's what a recent workshop student said about working with me: "How stimulating being with a teacher like Jenny could be and inspiring!"
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I took a few months off from my free monthly calendar download, but had time early this week to create one for November, actually at the beginning of the month. November's calendar features "The Last Piece of Honey Cake" a small oil I just completed last month of a dessert my husband made from scratch for my in-law's Rosh Hashanah dinner. It's a traditional recipe that he found on Chabad.org, by Marcy Goldman, from her cookbook A Treasury of Jewish Holiday Baking and featured on Cook it Kosher by Miriam Szokovski. It was a big hit with everyone, despite not having the Nordic Ware Heritage Bundt Pan that created the gorgeous relief in her recipe. (I might have to pick one up as a gift for my husband.) This last morsel was painted from life, prior to it being gobbled up. This cake would be tasty any time of year, and makes a great breakfast treat. Enjoy your November and may it be sweet and full of family and friends. If you happen to make the recipe, let me know!
Tonight marks the first of five art exhibits and opportunities to see and purchase my work this month. This show features nine works that focus on food gelato, aprons, appliances, and vintage cars. You can preview the work and purchase from out of the area, here. Any shipping charges will be determined after purchase.
Additionally, it's an opportunity for me to help Save the Children, an organization that is actively supporting children in 120 countries including the U.S. have a healthy start to life and have the opportunity to learn and have care when disaster strikes. Given the many recent disasters here and around the world, as well as the growing refugee crisis, I wanted to give back through my work. Throughout the month of September, I'm donating 20% of my profits of art sales from The Maplewood Grille, the Maplewood Art Walk and any direct art sales through my studio / web site. If you're in the New Jersey area, please join me from 6 - 9pm at The Maplewood Grille, 144 Maplewood Ave., Maplewood. If you can't make it tonight, check out my other upcoming shows on my exhibit page. Although I have found ways through our modern food system to incorporate blueberries in my diet year-round, I always anticipate Jersey blueberry season. Even growing up in PA on the border of NJ, it was a much-anticipated part of the summer. Back in 2012, while on our annual family vacation to Cape May, my husband and I discovered a local jewel, Beach Plum Farm. We rented bikes, plopped our then 3.5-year old on the back, and rode out to West Cape May in search of local produce. Not only did we enjoy the ride and the food, but were astounded by the beauty of the farm. Upon entering, at the time, was a front garden, planted in an English-style, with herbs, flowers, and smaller vegetables. We were welcomed to follow the rustic seashell path to the back of the farm to tour the rest of the crops and stumbled upon ripening blueberry bushes. Amazingly, this was the first time I had ever seen them in person. The shades of blue got me thinking of my palette and which pigments I would use; surely manganese, a little ultramarine, maybe turquoise, definitely some pthalo. The work above was created upon my return from several photos I took. We've been back to Cape May since, but have had another son in the meantime and haven't had the opportunity to take the bike ride out to the farm. Hopefully we can make it work this August when we take our annual trip, now that the youngest is capable of sitting in a bike seat and the oldest has the endurance to probably bike the distance himself. In the meantime, I'm offering the above piece at a reduced price in honor of the start of Jersey blueberry season, now through Friday only, along with a summer print sale of my works available on Fine Art America. Want a little extra surprise? Subscribe to my newsletter for a special thank you and exclusive offers and insights into what I do . Our local ShopRite is selling flats of Jersey blueberries that I keep hoarding. I used to be able to freeze the extras, but with a family of four, and a 3-year old that could live on them alone, they aren't making it to the freezer. (Great tip: you can pop the blueberries directly in the freezer in the clamshell). Enjoy! 35 has been a long time coming. While I'm no longer 35, I began this painting when I was 34, I think. Sometime in 2012, I believe, or maybe 2013, those years are a bit of a blur. I was running my gallery in Newton, NJ, a large 1250 sq' space where I was teaching, curating and exhibiting shows, and painting. Those years were great, and I have fond memories of the space, the art, and the people I connected with through art.
At the same time, it was tough. We honor and lift up women who do it all, and laud all the hard work. But, behind all of the successes, events, and work, I was struggling. My oldest son was 3 and in daycare 4 days a week, I was working tremendous hours, and my husband was commuting an 1 1/2 by to Millburn, NJ, and traveling on top of it for work. In the midst, we wanted to have a second child. I grew up with a sibling, as did my husband, so we wanted that for my son. All the while, my husband and I were discussing a move from Newton, which on top of everything was draining; not knowing whether to close my gallery, where we would go, what I would do. The second time around, this process was not easy. Looking back at my life at the time, I can see why. I eventually got pregnant sometime in 2011, and was so thrilled that I wanted to tell my family and close friends, earlier than most do. I always felt if something did happen, I would want the support of my family. Sadly, something did happen, and I miscarried around 6 weeks. It was hard. I sometimes minimize the difficulty by saying, well it wasn't as hard as others' situations, but it doesn't matter. A loss is a loss and it is emotionally difficult to deal with. Beyond that, recovering physically was something I wasn't prepared for. It took a toll on my body and it took me almost a year to move on, not so much emotionally, but to normalize my body and physically let go. This piece was started sometime after I miscarried, which the term in itself has a negative connotation and suggests that the mother did something wrong. I never felt it was my fault, and was hopeful that I would be able to conceive in the future. During that time I put so much pressure on myself, that I ended up with increased anxiety, a trip to the ER for a panic attack, and of course the side effect was an inability to let my body relax and be open to a pregnancy. After therapy, many doctors appointments for various issues, I finally found an answer from a doctor who, after some minor medications worked, told me your body is healthy, you can start trying. He worked with me, he was honest with me, and his statement lifted a weight off my shoulders. About a month later, I was pregnant with my, now, 3-year old son. I've dealt with appliances as a subject for various reasons; maybe out of fear or just not knowing yet how to deal with the figure. They have become metaphors for people. Many are unfamiliar with the small appliance depicted in my work; it's a Sunbeam egg cooker. It was my mother's; she gave it to me several years ago to use in my work. This entire work is an evolution from my Maésta paintings featuring an appliance version of a Madonna and child seated on a throne. No longer is the chair the seat of the appliance, but a reference to a kitchen sink that has been collaged with egg shells. If you count the pearls, you will see there are 34. At the time after my miscarriage, 35 was the year when all things fertility-wise start going downhill (so we were told) and you become classified as high risk. This year hung over the head of many of my friends, including myself at the time. I ended up pregnant at 34, and delivered at 35, a healthy natural birth. We ended up selling our house and closing my gallery two months prior to his birth, and relocating to a temporary apartment in Short Hills. All of my art supplies were boxed up shy of a sketchbook and a few watercolors. We were there for only 5 months before moving permanently to our home in West Orange. I took the time after having my son to care for him, minimize the time my oldest was in pre-school and get our house settled. That first year and a half are a bit of a blur with lots of sleepless nights and very full days. I produced little if any artwork during that time. I gradually set up my studio, began teaching again, and I believe it wasn't until last year, that I pulled out this painting to resume work on it. I'm not one that easily lets go of things (as you can see). And, while some artists can just toss out a painting, say it's not significant for me, that wasn't the case. I needed to finish this, see it through to the end; it was important. So finally after 3 intense months working on this a few hours a week, I felt it was completed. It is done. That period of my life is over, but not forgotten. It was beautiful, tough, and while I often felt discouraged, there was hope that a second child would come, despite 35 hanging over my head. Now, 35 is not such a problem and new research is coming out that suggests women who give birth at later ages, actually live longer! I stumbled on an article in The Daily Beast by Jean Twenge, psychologist and author of The Impatient Woman's Guide to Getting Pregnant, that noted 35 was derived based on French birth records from 1670 and 1830! It was thought that 1 out of 3 women could not get pregnant between the ages of 35 - 39. Those statistics lasted so far into the future that it affected my thinking about my pregnancy capabilities only a few years ago. New studies show 80% of that age group does become pregnant. So to those who have experienced miscarriage, struggles with pregnancy, fertility, you are not alone. I'm so thankful that this is a conversation that we are starting to have, and am very grateful that my second child did arrive, and thrilled that "35" has been resolved and is no longer on my easel. Head over to my Facebook album of works in progress if you'd like to see the development and transformation of "35" over the past several years. Contact me for interest in the "35" or exhibit opportunities for the work. |
Jennie Traill SchaefferDeemed the Kitchen God's Artist by NJ Savvy Living for my sainted appliances, I'm now known more for my vibrant, meditational paintings of chairs set surprisingly in landscapes. Since relocating to NC from NJ, mothering my two sons, and caring for our rescue pup, Cider, took the lead. Now, that my Durham home studio is renovated it's open again for virtual art coaching and the resumption of my personal art and commissions. The work I make is inspired by my joy of teaching, exploring nature, and traveling. On The Teaching Artist Blog, I share my approach to teaching and educate my readers about my creative process. Join my VIPs for First DibsWORKSHOPSArchives
January 2024
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