As part of connecting with the artistic community, past and present, I've been making efforts to meet up with fellow artists. It's important to not only network, but develop relationships with artists you admire in order to gain feedback, new perspective on your work, and camaraderie. Being an artist is often a lonely endeavor and though I like to paint and work privately, I feed off personal interactions. This is something I miss about running my gallery in Newton.
Since closing the gallery, these personal interactions and connections are frequently very difficult to make happen now between family obligations and my teaching schedule. I've had to cancel numerous studio visits with artists due to changes in my schedule with sick kids, my husband's travel schedule or my own work deadlines. Last month, with not much notice and schedules miraculously aligning, I visited West Orange artist, Sarah Canfield's studio. She and I have bumped into one another on numerous occasions and have been in a few local shows together. I admire and respect both her work and her dedication. Sarah is not only a remarkable artist, but also a dedicated volunteer for Studio Montclair and the West Orange Arts Council. Her studio is on the first floor of her bright and airy split level home. It's not a gigantic studio, but she's able to do some pretty big things in such a small space! She comes from a photorealist oil painting tradition, but with a technological bent, creating almost hyperrealistic abstractions from electronic / computer elements, even "freezing time" as she describes in her artist statement by depicting circuit boards that have literally been frozen in her freezer! Despite the amount of detail and precision in the works, the scale and alteration of the subject matter distorts and becomes something almost organic. It is the tension between the "timeless and transient" that drives Sarah's work. She recently has been taking a break from painting and experimenting with new multimedia and multidimensional works. I had the privilege of seeing them in progress and learning about her ideas, concepts, and processes. We spoke for a few hours about art-making, involvement in local arts organizations, studio practices, teaching and the balance of making art in a home studio. Hopefully we'll get to see the results of her newest works soon; she's very protective of them due to their shift in direction, so I won't be sharing any pics. In the meantime, you can explore her portfolio at sarahcanfield.com. Hope to bump into you soon Sarah! Stay tuned for an upcoming post with an exciting announcement!
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Several years ago, a couple walked into my gallery in Newton, fell in love with one of my paintings (seen below) on site and purchased the work for their home in Morris County. I was out of town the weekend they stopped by and did not have the opportunity to meet them in person, until about a year later when they made another visit.
Over the course of three days, from August 15 - 17th, I instructed five very eager students in a workshop called Painting the Texture of Tea at Peters Valley Craft Center in Layton, NJ. Located in the Delaware Water Gap National Park, its isolated location nestled in the hills overlooking the Delaware River provides for a space to focus on work without distractions. All of the students ranged in experience from a complete beginner to some who have not painted in 25 years. What I saw throughout the weekend was a lot of risk-taking and courage to get oneself in front of the easel, and each day struggle through a new problem. All overcame their own challenges and ended the workshop with a renewed confidence. All of the workshops held last week were tea-themed in honor of the opening reception of Peters Valley's current exhibit, Sweet Tea. Each morning, we started our practice at the easel with a tea meditation and tasting. We learned how to appropriately taste tea and a little bit about its history and cultivation. The first day we began with a demo and set to work on a monochromatic painting, forcing the students to see the values in the subjects in front of them. The second day we upped the ante by creating full color paintings of our tea subject matter. And the final day was spent considering how to create works involving the subject of tea beyond a typical still life. I was amazed with the ideas that the students came up with, considering the relative short amount of time. A fringe benefit of the workshop was all of the technical information the students learned about brushes, paints, and painting without the use of solvents. All were surprised and amazed by the obvious differences when switching to higher quality materials. I was fortunate to receive some sample paints from M.Graham which I shared during the workshop. The students couldn't get over the lovely texture of the paints as well as the purity and brightness of the colors when compared to some other lesser quality oils they were using. Thank you M.Graham for sharing your paints with us! And, a special thank you to our studio assistant, Signe Ballew, who went above and beyond to make our studio run smoothly. Take a peak at the works created by my students: This student had not painted in 25 years! She was extraordinarily nervous in the beginning, but after many adjustments and changes, finally grew comfortable with her work. We focused greatly on the reflections and textures of the tea and cups, as well as the composition of her second piece. Her final work in progress depicts two cups from which she shared tea with her mom who passed away last year, hence the depiction of only one hand. Allison, my sister, had not painted in about 15 years and I had no idea how receptive she would be to my criticism. It turned out to be awesome! Throughout many of her works, they completely evolved into different compositions and color schemes than when they began. Eventually she would find the painting, not without much frustration. She brought a dried out lemon to the workshop which at some point found its way into almost all of her paintings (even if it was then painted out). The last piece began with the lemon stamped with oil on the canvas paper and a suggestion of a tea leaf, but ended with evocations of lemons in the background and the suggestion of a hill or mountain form in the foreground of an entirely different color. This student had never painted in her life until last weekend! Unfortunately she was unable to attend on Friday's session, so we got her started with a monochrome on Saturday. As we ended the workshop on Sunday, she had only just gotten started with her color piece. But, she started to get the idea of painting metal and also decided to mix actual tea leaves into her oil paints! Emily is one of my students from my studio who enrolled in my workshop. While she's been working with me for about three years, these were only her 2nd and 3rd oil painting. She is developing work for entrance to art school next year so she aimed to complete a few strong works to add to her portfolio. I think she is in the process of achieving that goal, and though she didn't get to the third painting, we will revisit the topic later on back at TraillWorks. This was another student who had not painted in over 15 years! She was very self-conscious of her work at the start of the workshop, but by the end was boasting about her achievements in the dining hall. Not only was it interesting to see her still life objects which were direct from England, but it was fascinating to see her shift into a comfort zone with the paint and subject matter. By the end she was having so much fun, as you can see in her final painting of a tea bag and tea cups. I will leave you with a few comments from my students: "I can't tell you how safe you have made me feel." "I especially realize how much you gave me in this class when I hear myself tell my husband all about it. Thank you for all your preparation and making the tea theme come alive. Thanks also for all the paint, mixing, brush, palette knife knowledge. I will be hearing your advise about putting colors next to one another every time I pick up a paint brush. I've decided not to put the paint stuff away in a closet, but get a spot set up in the house somewhere.The class time just flew! A great experience!" If this looks interesting to you, don't miss my upcoming workshop, Painting in the Burbs, set for September. There is still time to enroll! |
Jennie Traill SchaefferDeemed the Kitchen God's Artist by NJ Savvy Living for my sainted appliances, I'm now known more for my vibrant, meditational paintings of chairs set surprisingly in landscapes. Since relocating to NC from NJ, mothering my two sons, and caring for our rescue pup, Cider, took the lead. Now, that my Durham home studio is renovated it's open again for virtual art coaching and the resumption of my personal art and commissions. The work I make is inspired by my joy of teaching, exploring nature, and traveling. On The Teaching Artist Blog, I share my approach to teaching and educate my readers about my creative process. Join my VIPs for First DibsWORKSHOPSArchives
January 2024
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